Tuesday, March 31, 2015

The Life of Fruit



                                                                The Life of Fruit

                                                                  Naught to do
                                                     with moisture. Rain's opposite 
                                                   hangs in broad clouds like smoke
                                                        raised up from the surface,
                                                               some secret djin
                                                      hidden in full sight, awakened,
                                                                its intention clear,
                                                  moves over those who try for sleep,
                                                      sorted, small clusters of dates
                                                              holding to their tree.

                                                              With pomegranates,
                                                               the skin pulls away
                                                            leaving purple red rows
                                                        of claustrophobic, ripe seed
                                                        held in tight, unmoving rows
                                                           unable, yet pregnant, full
                                                             with unrealized dreams
                                                                the way that sleep 
                                                                   will not come
                                                             for those who need it.  


Saturday, March 28, 2015

Cul de Sacs

                                                              Cul de Sac

My first beer since that Sam Adams Rebel IPA at JFK seven weeks ago.


Sitting in a hotel bar n Manama, Bahrain. A cold, tall, dark Guinness and a neat Jameson's in front of me. So worth the wait. Two twenty something year old Filipino gals n sequined short shorts and a long haired, soft looking man on keyboards singing cover tunes. Doing The Carpenters Sitting on Top of the World. What's the word. Yeah. Surreal. 

I walk in and they're on break. I came to write, drink, smoke, and watch El Classico, Real Madrid vs. Barcelona. They go back up on stage and the really cute one points at me and says, "Welcome, Sir." I nod my head slowly, sort of a tip of the hat gesture with my hand out in front of my face. 
 After six weeks of living in my flat at the oil college, not seeing a woman, except in their black Caspar the Friendly Ghost get ups, not drinking, not being in a bar talking with friends, smiling at girls, today feels really like entering a dream. Here on the opposite side of the earth in an Irish styled pub. The cute one is continuing to smile at me, gets to the end of John Denver's "Country Roads." The song ends, the final soft keyboard riff is laid down, held, tones fading, and she looks me in the eyes, pulls the wireless microphone to her bright red painted lips, says "Take me home." Soft clapping. Things are getting stranger. Now I'm starting to understand how it comes to pass that so many of my colleagues are married to Thais and Filippinas. There are maybe eight to ten other people in the place, which may explain why it seems like she looks this way frequently. In all probability, though it sounds me to think so, there is a pretty good chance that every other man in this place is perceiving the very same dynamic taking place vis a vis the cute one and themselves. 
 
Waiting at customs on the King Fahd Causeway connecting Bahrain to KSA. World's most expensive bridge. 

Three of us came over today from KSA. A Brit, Nathan, my friend, Jim, from the state of New York, and myself. Took about one and three quarter hours to get here, most of that time spent in five different queues, immigration, customs, toll. Manama has a decidedly different feel from the Eastern Province. Looser. Less stiff. The hotel is nice, feels downright opulent after the utilitarian, spare feel of the KFUPM campus. A lot of this difference is probably due to the fact that the women here are visible, part of the ambiance, smiling, approachable. Talking to the two Filippinas at the front desk was the first time I have spoken to a woman, seen a smiling woman up close in seven weeks. It is the kind of thing you don't really notice in the rest of the world. And then you get used to it and don't really notice that you haven't had that kind of energy until you are exposed to it again. Then you realize that you miss it and then you anticipate missing it again. Like that trick knee that you forget is not right until you tweak it, then you miss having it work pain free until it slowly fades into the rear view mirror. 

The archipelago that is the Mamlakat al-Bahrayn, the Kingdom of a Bahrain, became an independent nation in 1971 and was officially declared a Kingdom in 2002. It is a unitary parliamentary constitutional monarchy ruled by the Banu Al Khalifa, the family of the Khalifa tribe. It is composed primarily of one island 11 by 34 miles in area. The demographic make up is 46% Bahraini, 45.5% Asian, and 4% other Arab. The majority of the total Bahraini native peoples are Shi'a, yet the ruling family is Sunni, thus the impetus for much social upheaval and recent political unrest. Since the time of Alexander, who spoke of establishing his home in the main island here after his conquest of the known world, the term Bahrayn indicated the entire gulf coast of the Jazeera Al Arabiya, the Arabian Peninsula, from Basra in present day Iraq to the tip of Oman that forms the southern opening of the Gulf. Bough Herodotus and Strabo believed that the Phoenician peoples originated from this island which today is a firm member of the GCC, the Gulf Cooperative Council, and a strong ally of the Al Sa'ud family, the rulers of the Kingdom of Saudi Arabia. During the recent Arab Spring the Saudis sent troops across the Causeway to support their brethren royals with great apprehension that another royal monarchic family may lose power. 

Nathan is an interesting man. He, like so many that I work with, is a bit over sixty, has been working overseas for more than thirty years, has a Thai wife and a seven year old girl that he supports back home, meaning back in Thailand.  He regales us with fascinating tales, does a perfect impression of English as open by an Arabic speaker, is insightful and long in the tooth on experience. He tells of his years in Jakarta before Suharto was overthrown, reminding me constantly of scenes from the film "The Year of Living Dangerously." Of how riots broke out and all of Chinatown, close to his flat, was burned to the ground. "Jakarta scares the hell out of me," says this tall, large man who grew up in a tough, blue collar part of North London, the son of an Irishman and an English mum. His memories of his mother include her refrain, "Now you're being the perfect Irishman," meaning, apparently, completely without motivation or drive.

The three of us hung at the hotel bar for about two hours and I made sweet love to two beers, the first a blonde German darling, light, effervescent, lovely, and the second a black Irish sweetie, a tad heavier, but still tremendously attractive, think she went by the name a Guinness. Water to a very thirsty man. Then in the pool, then a cab to Warblers, another British themed bar to watch the Liverpool vs Manchester United match, the prime reason why Nathan crossed the King Fahd Causeway with us today; following the game he headed by cab back to KSA and Jim and I walked back to our part of town and then around a really surprisingly lovely, artsy high end restaurant district nearby where we had a swanky meal on a rooftop place called Passion. The few blocks here reminded me of a precious, beautifully lit, decorous part of Mexico City, somewhere around the Coyoacán and San Angel neighborhoods. The balmy, semi-moist evening breeze wafts the rich aromas from the tastefully styled, lush gardened eating establishments on both sides of the surprisingly quiet, hardly a soul in sight, streets, so narrow that two cars couldn't pass each other in them.

Guess I crossed another country off of my list of countries in the world to visit. Oh oh, the electronic keyboard is rolling out e opening chords of Hotel California. I can check out anytime I want, but I can never leave. So, what, only two hundred and some more countries to go 'til I've visited them all. It is starting to settle in, this expatriate life. There is some sort of amalgamation of culture here, made up of wandering souls self exiled to places not their own. Or, perhaps, self exiled more like FROM their own points of origin rather than TO any place. Exiled to any place, which for now is this place, this odd collection of pieces of cultures syncretized into a borderline eerie melange of sounds that shouldn't be coming from where they emanate from, sights borrowed from afar, smells that bring with them bits of distant lands, all mixed and folded into an international, multiple personality, hydra headed cultural casserole.

Irish beer and whiskey. Filipino musicians singing Classic American tunes. Spanish futbol on the TV. Indian masala lamb curry in my stomach. Flashing colored lights alternatingly lighting up parts of the room in green, yellow, and red. Flags of all nations hanging around the perimeter of the room. A Bahrani man tending bar. An American, me, typing away on his tablet. Couple a British guys talking at the next table. Now it's "Rolling on the River" gaudy Filipino style. It's like the place where traveling businessmen go when they pass on. Heaven or hell? Hmmm. What's the line from "The Usual Suspects"? "The greatest trick the devil ever pulled was convincing people that he doesn't exist. 

The set just ended and she comes over here and shakes my hand and we talked for a bit. Her friend comes along too for a bit, holding on to my hand a bit too long. The cuter one is an undergraduate nursing student from the Philippines here for two weeks doing singing engagements. She asked me how many nights I'm staying here, encouraged me to stay for the rest of their show. It's her birthday, you see. And later she will be blowing out the candles on the cake that is now in the fridge. She lives with her auntie and wants to stay in he Philippines because she loves her family. Fair enough.

So its one to one at the half. The bands again on break. It's ten minutes to midnight. I feel fatigue but am unable to ascertain what kind of tired I am. The metaphor that stays either firmly planted at the forefront of my consciousness or just below it for the last three weeks is that of a cul de sac. This image seems, more and more, to symbolize, to maybe crystallize, more and more, my experiences here. Interacting with Saudi businesses, the bank, every office on campus, my students, is a cul de sac. I am learning to expect that for every task which I attempt to accomplish here, getting a phone, establishing a bank account, getting my work lap top to work, which, after now roughly eight visits to the office fixer, think Radar from television's MASH, the IT guy in the building, and the techies up on the Jebel (the tallest part of the hill that KFUPM is built on-Jubal being Arabic for hill or mountain), still is non-functional, that I will need to make at least three visits or tries. Usually, after a sortie to check a task off of my list I end up squarely and precisely back where I started. A cul de sac.

At this point women sort of just freak me out. Can't really see interacting intimately with a woman past much of a point that would provably make me seem like a scared kid or a gay man. Just don't feel any fire burning. Like opening the door on a wood stove to see a cold, empty firebox. I'm probably at a point in my life where I may at some point in the not too distant future be ready to lace up my boots and go out into the blizzard to look for kindling buried down under the snow. Purposefully preparing and readying a batch of kindling for a go at a fire inside of me seems about as familiar right now as the rest of this Hollywood set of a scene around me. 
 
Now they are belting out the Journey song, Don't Stop Believing. Now let me tell you, this song takes me back. I am in high school again. I am young, infatuated, heady, optimistic. My girl loves Journey, drives an MG midget, the same car my father had when I was very small. Testosterone and the mirage of a perfect, LA Law future is all I can see. Soon I will move to New Orleans to go to school and we will part. But in my myopic vision I am unable to see past the immediacy of my hand in hers, of our simple grins at each other, the certainty of our love for each other. From this vantage point I just know that we shall conquer all of the issues that the older folks, our parents, seem unable to navigate through. Bring it on. Certainly I possess the answers, the short cuts, all of the ways of being that others just have not tried. 

Working hard to get my fill
Everybody wants a thrill
Payin' anything to roll the dice
Just one more time
Some will win, some will lose
Some were born to sing the blues
Oh, the movie never ends
It goes on and on, and on, and on

The show continues, it turns out to be her birthday, the cute Filippina singer, who does have, I must admit, a beautiful voice. The two of them take turns doing solos, covering John Legend and Beyoncé, Whitney Houston. There is a fun little number where she invites an Arab man up to dance with her on the small, parquet dance square immediately in front of the barely raised stage. He has a thick, black mustache, is handsome, is wearing a full length thobe and a blue grey baseball cap with no insignia. He boogies with and around her, she and her singing mate putting their hands together above their heads, clapping, attempting to rouse the small crowd. He points his index finger up towards the sky, doing his best John Travolta, and his buddies laugh, clap, self congratulate. A birthday cake is brought out and she says, grinning, she is "sixteen" and blows out the three candles, the Indian waiter taking the cake back through the swinging doors into the kitchen. Another sleight of hand achieved, the trio moves on into the next number, not missing a beat.

The man at the table some feet behind me drums his fingers in time to the music, all of it synthetic. The expression on his face telling a story of a woman left behind, of some far hope for one of the singers on stage or another drink between smokes, or maybe for the life he used to enjoy a long time ago in a galaxy so very far away. Perhaps for this man, as for so many of us, our emotional position here, our hands wrapped around a tall pint and a dwindling cigarette, this is the place we continue to return to. Perhaps it is this slice of life that perches on the window of the night that happens during the ninety minutes before the barmaid yells out the last call, that never leaves this one universal tone which resonates with a piqued alienation from others and from ourselves, a lonely hour and a half marinated in self loathing and a desperate search for an understanding or for some form of resolution, however small, to the existential sword hanging dangerously close above us. And in this way, according to the immutable socio-physical laws of the cosmos, the appropriate metaphor again becomes the cul de sac. We move from country to country, woman to woman, bar to bar, and as the bell is rung for last call we seem somehow surprised that all of our fears, all of our anxieties and insecurities, our entire conscious mind, has come right around the deceptively small road that though we continue to drive it hard and fast and straight ahead, vying for some motion away from our point of beginning, is in actuality a circle which brings us back to our start. It is a cul de sac.

More like a scene from Apocalypse Now, on acid, star flares roiling down around me in red and green smoke, flashes of yellow bursts in random groupings, some electric guitar crashing down hard, all distortion, maybe Hendix's Star-Spangled Banner, something, probably the wrong language, issuing forth from all people present, people who are most likely all lip syncing anyhow, even the barmaid and the Brits at the next table, maybe even me. All of it, like at some moment now or soon someone will yell loudly over the nonsensical cacophony, "OK, CUT! That's a wrap people. Let's try it again in the morning."

Tuesday, March 24, 2015

The City of Lights

                                                              The City of Lights


               They say a Freudian slip is when you say one thing, but you mean your mother.
                                        

I have in my life loved and lost many women who in their time were the whole world to me. Have succumbed, no, rushed wildly, recklessly into the hills, valleys, glens and dales of their landscapes, chasing after the nymphs and the woodland fawns of their essences, their gestures, their smells, their nuances, like some intoxicated satyr gone mad. At so many points, when at all conscious of things outside of my own inner worlds, it seems to me now that I must have seen romantic love, along with the other chief hedonistic pleasures that one makes great trades to participate in, like some big all you can eat buffet. As though this mortal coil around us, fleeting as it is, is, like the one price smorgasbord, a smash and grab affair. They are, our pleasures, arrayed before us on long, endlessly long, tables, in all of their sundry hues and colors, all their mounded, juice dripping glories, fattened, gilded prizes already paid for with the one fee, our trip through this carnival called life, a fee paid for not by us, but by those who came before.

It is not we who provide our own entrance into our own worlds. No. No that is provided, is part of the package deal we get when we pass through the soul exchange, are seated, our seat belts checked, our empty bags stowed in the overhead compartments. No, it is those who chose to come together, to blend their seeds, to initiate the sublime, ineffable process of mitosis on our behalf that we have to thank, or to curse, for covering our costs. It is their blood which pounds through our veins, it is their mix of mitochondria that form our own. It is very much that we have, by virtue of our parents act of physically coupling, been provided with a vastly intricate biological machine, hardware, if you will allow the analogy, that does not become our own, does not manifest into "us" until we download enough programming, enough software, to continue the metaphor, to formulate any "us-ness" at all.

Intelligent design? Well, perhaps. In the strict sense of two carbon molecule based, animated beings controlled by "intelligence" who have decided to merge and split and start the process of cell division that is the more or less self replication that forms each of us. Or, in other instances, their isn't any intelligent preplanning involved, maybe, as a friend used to say, the act itself is somewhat closer in actuality to that represented in the line, "I knew you before you were a drink in your mama's hand." 

However the process of physical intimacy comes to pass, we soon enough spring into the world, another bit of God, another pattern of energy, of, what, 99+% empty space with enough electromagnetic bonds, enough binary on and off saline, potassium, and glucose produced switches to become imprinted through our environment, and, hopefully, through our primary caregivers, to form a mind of our own inside of the unimaginably complex organ that our brains are, to form some sort of a hologram that convinces us that we are.

Okay, where I'm going, prattling on in my peculiar manner, is that we owe it all, everything, to those whose cells we propagate, our parents. And here, today, I want to spend some time blathering about the exceptional being that is my mother. Father, have no feelings, please, of non-inclusion; I shall focus in a later piece about my awe for you. 


Lutecia Maria Gonzalez Quintanilla, as she was named by her parents, is my mother. My two older brothers, Marco Kelly  and Leone José, and I, could never have been blessed with more. I can not, nor am I now in any position to speak for anyone but myself, but in my humble opinion, okay, those of you who know me well enough may not agree with the humble part, I feel ultimately blessed by the universe to have been reared by a being of such grace, awareness, and, more than all else, love. 

                                             My abuelo, Enrique Luis Aparício

Of Mexican parents, my mom was born in Mexico City in 1940. Her father, Enrique Gonzalez Aparício, was an economist who taught at UNAM, the Univeridad Nacionál Autonomica de Mexico, the large, national university in D.F., the Federal District, meaning Mexico City in the same nomenclature we use to say Washington, D.C.  He formed the first worker's bank in Mexico, and was the chief economic advisor to Mexico's only Socialist President, Lázaro Cardenas, in the late 1930s. Cardenas and my abuelo, attempted, unsuccessfully, to nationalize the American oil companies in Mexico during his term in office. He spent some time schooling in Moscow, at, I believe, what was called the Lenin School of Economics. He was a man of the people, a man whose name is that now of of street in D.F., and after whom the Library of Economics at UNAM is named and whose bust sits in the foyer of said building. He passed away under somewhat contested circumstances, some say assassinated, others that he simply died of infection, after going to the hospital for a non life threatening injury. León Trotsky was assassinated in Mexico City with an ice pick at roughly the same time. It is from my grandfather that I received my middle name, Enrique, the "e" in my, Peb.

                                                                 My abuela

I was unlucky in that I never knew either of my grandfathers. One of the reasons I have always tried to live close to my own father as I have reared my own kids, is so that the same would not be true for them. My mother's mother, Lutecia Quintanilla del Valle, came from a much storied, highly connected, aristocratic family in Mexico City. Her father was the Mexican ambassador to France and she was born about two blocks from the Arc de Triumph on Rue Victor Hugo, on the eve of World War I. The name, Lutecia, is in fact taken from the Roman name for Paris, the City of Lights. Some of her brothers served their country as ambassadors, her brother, Luís, was the Mexican ambassador to the United Nations in New York City, and used to arrive at Vassar College in a limousine, with a driver, to pick my mother up and take her out when my mother attended school there, living on the same floor as American actress, Jane Fonda.

I have been to Mexico City many times, living there with my parents and brothers for a time as an infant. During the visit to commemorate the life of my abuela some twelve or thirteen years ago, one of my family members made two interesting comments to me as we sat, some forty or so of us, at long tables in a fancy restaurant, an establishment that had its own small bull ring built into the center and a balcony high up above the seating area where singers performed during the meal, stopping at one point to give salutations and a statement about my family, about my abuela. 

The first comment was for me to look around at my family members and to notice how light skinned we all were, how it remained that way because "we" never chose to mix with the locals, that our blood lined has stayed unblemished since the time we arrived from Spain some hundreds of years before. In fact, he told me, looking me in the eye, the del Valle part of our family line was there because we are all direct descendants of Hernán Cortez, the conqueror of the Aztecs, the takers of the great city of Tenochitlán, the site of modern day Mexico City. That as a reward for his achievements on behalf of King Ferdinand and his Queen, Isabella, Cortez was given as his economienda, his fiefdom, if you will, el Valle de Oaxaca, the Valley of Oaxaca, the valley surrounding the large Mexican City of Oaxaca, some ninety minutes south of D.F. I haven't any solid reason to believe that this is true, that it isn't simply a family's desire to create for itself a mystique of greatness, but then again neither do I have any solid reason to doubt it. Two Mexican presidents have come directly out of my matrilineal family line.

My mother, before becoming a professional, hadn't any so called marketable skills. She was, for most of our growing up years, a single mother working hard to try to make ends meet. We lived on welfare, food stamps, peanut butter in metal cans, powdered eggs, Velveta style cheese. We lived in low income, predominantly black "town houses" and went to schools that were mostly all black as well. My mother's second husband, Garry Fleming, was a large, gentle, funny but stern when he needed to be, American black. We didn't have much, but then as a child you don't really much know what it is that you don't have. Want I know that I did have, my most treasured object, was my mother, and that was always enough. She poured love into us as though, like the geranium plants that she always maintained, all we really needed was that golden elixir of her constant attention, her adulation, and her constant touch.

She practiced transcendental meditation and yoga, Madison being a bastion of liberalism, of anti-Vietnam War protests and the farm workers grape boycott. My mother was a social activist who promoted a belief system in her three sons that matched. I remember being a small, blonde haired, blue eyed boy barely four feet tall, walking a picket line outside of a liquor store in a parking lot and having angry white men drive through our lines and call us "spics." None of it made much sense to me, but I can see now, years later, that it imprinted me significantly. "Viva la lucha," long live the struggle.

My mother introduced me to the one best orientation and understanding of truth that I have ever encountered. She introduced me to Ram Dass. Born Richard Alpert, a northeastern, US Jew, Alpert and Timothy Leary were the two Harvard Professors of psychology that used LSD in experiments with their students to see it the hallucinogen may have been an aid in therapy. They were, after a time of sensationalized tumult, fired from their tenured track positions. Leary to go on to become a cultural icon well associated with the counterculture movement of the sixties; it was Leary who said, "Tune in, turn on, and drop out." Alpert moved to India and spent six years there learning about the yogic practices of the Hindi gurus, expanding, meditating, reading, serving. The self described "neurotic Jew" came back a very changed man. My mother possessed a dozen or two cassette tapes of some of his public lectures and she would, from time to time, encourage us three to listen to them. I still have those tapes. It was from him, for example, that I got my line about humans being "bits of God."

Our step-father was only in the house for about two or three years, but he continued to figure prominently in our formative years, coming around often, moving back in with us a couple or more times, watching us when my mother was out of town, etc. during all of it, during all of my childhood and well past, my mother was always our biggest fan. In many respects my mother was more big sister than mother, allowing my brothers and I at times perhaps too much leniency, but it was always, at least it still seems this way to me, done out of a desire to further us, to give us our space to create our own experiences, our own selves.

My mom became a trial attorney and went on to garner much praise and many forms of official recognition from the federal government for her work, becoming and ending her career as an administrative judge. She retired some ten years past and lives with her husband of thirty plus years, Ernesto Chacon, a good man. They reside in Milwaukee, Wisconsin, and have for more than a couple decades now. 

This past summer I was going through some boxes of memorabilia in an attempt to downsize, preparing to move abroad, and I ran across a folder of childhood, mainly school related, pictures, drawings, report cards. I had to laugh out loud as I read the comments of my teachers from my elementary school years. There was a quite consistent, repeated remark about how I was sort of in my own world, was nice enough, but that the other kids seemed to think that I wasn't much willing to go along with what they wanted, that I wasn't a great listener, and that I didn't very well stay on task. From about the age of five to eight there are maybe two or three reports from psychologists who my mother took me to see, both in the school system and outside of it. My intelligence scores were high, elevated, in fact, enough for me to go straight into the first grade without ever being in kindergarten. But through all of the paperwork I read there was this theme of a boy who sat apart from others, who was not the participating, so friendly with all he other kids kind of kid that I have always remembered myself to be. This kid, me, who was hard of hearing and had an operation to fix it, whose speech patterns were often something akin to a gibberish, and who intently made his own projects and focused on those in lieu of what he was being asked to do. My mother took me to a doctor at some point late in elementary school to have me tested for what was then called hyperactivity. The doctor asked me to lie still on his examination table for sixty seconds. I did. He concluded that I was hyperactivity free.

Then there are all of the drawings and the poetry. The drawings are mostly either of aliens or monsters of one form or another, or they are sad eyed people, drawings that feature eyes prominently, often with a tear rolling down. One I saw, and can in fact remember, from maybe around the age of eleven or twelve, has a man from the mid torso up, bare chested, firing a blaster rifle that has the markings, if I recall correctly, X-14, on the side, but while he is mainly in profile firing his weapon to the right, off page, his right eye is looking at the observer, a tear coming down. Now I read a lot of sci-fi,a lot of comics, so the themes make sense, but the sadness struck me. The poems too always seemed, in their steady, rhyming manner, to focus on either heroes or sadness, alienation.

My mom used to always pinch our cheeks and grab on us, as though we were her teddy bears or her cuddly pets, loving on us constantly. I remember how she would say to me, smiling her big, toothy smile, "How come you're so weird, Pebs?" She always said it in a really warm, connective way that would make me want to melt into her, smile shyly, a son only a mother could love, right? At the age of thirteen or so my mother decided that she should take me to see a hypnotherapist in Garden City, Kansas, whom some friend or other of hers had told her did past life regressions. My mom believed in past lives, and in the abilities of a sort of transference to occur wherein issues from one life that may not have been resolved may spill over into the next ones.. 

When I was perhaps nineteen, going to undergraduate in New Orleans, my mom married a Chicano gentleman named Ernesto Chacon, an activist in the struggle for civil rights for Latinos in the US. A quiet and strong man, Chacon, as he is usually referred to, is above all a good man, a strong and peaceful man. The years have toppled by like dominoes and his presence in the lives of my brothers and our mothers have been slowly, quietly strengthened and settled through his contributions. My mother, I feel, is fortunate to have him as her partner. He is a solid, steady, calm being, centered, the kind of person you want around you when the shit hits the fan. The anchor in a storm.

                                                       My mom and Chacon

So she and my best friend, Jimmy DeLao, also about fourteen, and I drove her old Country Squire station wagon from Madison, Wisconsin, to Garden City, Kansas. Jimmy and I did some of the driving until we picked up this funny hitch hiker whose name I remember as Mike, of course I also remember myself as a vey friendly, eager to please, stay on task elementary school student too. I vividly remember Mike driving and at one point saying to Jimmy and I, "did you see that white flash run across the road?" We both said, "no." He then asked us if we knew what it was. Again we said, "no." To which he replied, "I already told you. It was a white flash!" We thought him terribly funny and really cool.  The way that memory works is funny. And as I think over the discrepancies between what I recall and what apparently was, I can not but help to think of the words of the American author Sherman Alexie's words, "We are all the worst narrators of our own lives." I mean, I think that's what he said....

In Garden City we met with the doctor. Before he worked with me he showed us a video of his regression of a young man who was speaking crazy talk that the doctor told us was some alien tongue and that the young man also spoke in one or two other languages fluently while regressed that he could not speak a word of in his waking life. Then he had me lay down and stare at a record player turned on its side, a red and white spiral swirling out from the spindle spun round and round. This was to put me in a pre-hypnotic state. His regression of me ended up pulling up a memory of how I was somewhat traumatized one Christmas when my step-father, Garry, would not let me play with a new toy, a purple truck or tractor I want to say, for a spell, maybe for a day, because I had done something I was not supposed to! like tear open the present before it was time. Anyhow, even then it seemed to me that there was no great lancing of any event or uncovering of any earlier life as a young US GI killed in the Nam or an Aztec warrior killed by he conquistadors or any such crystallized point of conflict in me that was in any way exorcised, that in any way set me free. No, I think that those around me, probably to this day, would say that, no, I have remained that strange boy who focuses not on what I should be focusing on, but rather whatever it is that catches my fancy, still not content or interested in doing things in any way but my own.

Any one of my friends who ever met my mother has always been impressed with her, always remembers her warmly, distinctly, and her physical beauty. She is the kind of woman whose energy, infectious, ebullient, envelops and embraces you, produces a sensation that one does not forget. It has been no mystery to me why my father was attracted to her, why they married. And despite the divorce and the messiness surrounding our early years, the traveling back and forth across a continent twice a year to stay four months with our father and step-mother, I can not, as I can not with my own first marriage which produced my two remarkable sons, second guess the event--for out of both aforementioned unions came beings that would not, could not otherwise have sprung forth, and in no manner can I see either event or any of my brothers or my sons as any form of mistake.

It has been said that it is a common phenomenon for a boy to grow up and to choose women to be with that remind him of his more. In retrospect I would suggest that for myself that statement holds more than a grain of truth. My mothered  is beautiful, loud, social, a bit histrionic, dramatic, and somewhat crazy. She is a person who does not go unnoticed when she walks into a room. She is no wallflower, she is more like a giant sunflower or an orchid, emanating color and an aesthetic charge that makes one take notice, makes one remember.

My mother has come upon some difficulties in the last two or three years with regards to her day to day memory system. It is perhaps because of a terrible car accident that she was involved in when I was in high school. The cause, however, is somewhat moot. The result is a slipping of the ability that we all take for granted to keep track of our daily schedule or our knowledge of just what, who, where, and when we are supposed to do or be with or to just be. It causes confusion and it causes disruption and fear. It is hard to go about my day to day life carrying with me the knowledge that she is there in the American Midwest living with a faulty memory system as I am here in this place too far away to give to her the support, the encouragement, the love, that she never failed to give to me. It makes me question my choice to be here, to be anywhere but there. 

And it makes me sad. It makes me examine my feelings about my worth as her son. The woman who bought me the LP of Vivaldi's Four Seasons, introduced me to it, who listened to classical music in our house so regularly, the background score to my early years. I bought that music just last week, the Vivaldi concertos, including the Four Seasons, and I put it on most mornings now as I ready for my days of work in the Kingdom. How far in both geographical and temporal space I exist today from those sepia tinted, golden days gone by. I listen to late summer, to fall, her smiling, laughing face hanging superimposed over my mornings, comforting me still. The thrumming, pulsing violins forming the backbone of the long string of memories that only are because she is. Yet always, the angel hovering still over and through me, she stays, golden and radiant in the summer sunlight that is young once only.

Saturday, March 21, 2015

Creative Turbulence



                                     "The task we must set for ourselves is not to feel secure, 
                              but to be able to tolerate insecurity. Creativity requires 
                                             the courage to let go of certainties."

                                                                  Erich Fromm

I was attempting to describe one of the other Prep Year Lecturers to one of my office mates, Jacob, the other day. "He's gotta be almost seventy, British, kinda, I dunno, stand-offish."

"That could be any of 'em!" Jacob laughs, and I laugh too.

It is a peculiar thing to find oneself teaching English amongst a large group of native English speakers in an all English speaking program in a very much non-English speaking country, embedded in a very much not English speaking region and culture in a place on pretty much the precisely opposite side of the globe.

There are just under eighty of us working as ESL teachers here at the "oil college" in Dhahran. I recently came to understand that the municipality of Dhahran itself came about for the express purpose of giving Saudi Aramco, the oil giant responsible for twenty five percent of the globe's oil supply, a home. Originally named The Arabian American Oil Company, Saudi Aramco, now owned in whole by the Kingdom of Saudi Arabia, is a Kingdom within a Kingdom. As I was expressing to a colleague his past week that I would like very much to get inside Aramco, he asked why I was so interested. Well, I replied, I guess I feel like a peasant living in the village just outside the walls of the castle who just wants to get a glimpse inside to see what transpires there behind the giant walls, the secure perimeter. There are wooden, American style houses, as the rest of the country, all of the buildings and housing on campus included, are made of concrete, there is a cinema, which otherwise do not exist in KSA, a church, the only one in this country, alcohol, stores, even a golf course. And inside women can drive. The fact that there are women at all, that one can freely mingle with them, that they are not cloaked, is quite a draw.

King Fahd University of Petroleum and Minerals is like an add on to Aramco, a feeder institution serving THE industry responsible for roughly eight-five percent of the GDP of KSA. One of the last attacks by radical Islamists against the al Sa'ud's connection to the kafirs, the infidels, the West, occurred here at the gates of Aramco, on the border of KFUPM, in 2006 when two explosive packed trucks were driven to the guard station where a small gun battle took place. It is the symbol, for the hard core fundamentalists here, of everything that is wrong with the royal family that holds all political power. Aramco is a small piece of America embedded within possibly the most strict, anti-Western Islamic state that exists on this planet. 

The reason why the Saudi government desires its petroleum engineers to learn English is so that they can operate inside of a system that is in whole a part of the Anglo-American economic sphere. The government wants its engineers to be able to go to graduate programs in Britain on the US, where the beating heart of the petroleum circulation system is situated. In Saudi Arabia it is customary to import white collar workers for the most important industries: energy services; military training; security contractors; university instructors and much of the staff; communication industries. The government has quotas in place for how many Saudis must be hired by any company, twenty-five percent, because otherwise it would be so much less. This process, like so very many different aspects of life here is termed 'Saudiazation." 

If something has been Saudized, it has been altered, co-opted, or some how diluted. It is used here in the same way that the term FUBAR was used in the 'Nam. Before I came here I read on forums contributed by Western expats, many of which complained about the working virtues of Saudi men, about the lack of a good work ethic. Two examples, one is a Britisher writing that in their office, he and his fellows had their own interpretation of the oft used Arabic phrase, "Inshallah," which literally translates as "God willing." This man stated that when a Saudi in his office is asked if something will be completed on time, say a report, that when the response is, "Inshalah," that he and his coworkers have learned to translate it as, "Not a bloody chance in hell, mate." Example two, the Director of my program told me, my first day here, that if I wanted to get something done that depended on other staff, meaning non-Western staff, in our Program, that I should try to do it between 7:30 and 10:00 am, because that is when most of them were here. Inshallah.

So what kind of man comes to work in a place like this, in an ESL program here? Well, to assemble a constellation of characteristics of my fellow Lecturers that I have observed since arriving, I would say that it is the kind of man who works best alone, the kind of man who is a bit of an introvert, who likes to spend his evenings doing his own thing, who likes words maybe more than other people, who feels alienated in his native culture. The kind of men who collect, like tumbleweeds against fence lines in the open plains, men who collect at the far side of the world. Wary men, men who maybe were on the periphery of the social groupings in their adolescent years and dove into books, into writing, into their studies. Who became more comfortable with quantifiable, knowable phenomena like linguistics or etymologies or syntax and the phonetic alphabet instead of the amorphous, unpredictable, often hurtful phenomena like human relationships. Men who have learned, maybe the hard way, that words hurt more than sticks, but only when wielded by living, breathing humans, not when printed on a page or proliferated like a spring rain on a word processing device.

It has been a goal of mine to make friends here. I am pretty good at making friends. It has been a bit of a tough sell. It seems quite evident that my coworkers, the men who live above me, next to me, would rather spend their evenings in their flats by themselves on the net, on a movie, reading a book, word jockeying, than relating to others or sharing consciousness. As though their are risks, unnecessary risks perhaps, to be taken in socializing. Someone once pointed out to me that ESL instructors are made up, by and large, of assertive women and passive men. My experience over my career in this field bears out that, with exceptions, this is a truism.

Maybe it's a desire to be a big fish in a small pond. I mean the only real requirement to be an ESL speaker is to be a native speaker of English. Throw some book learning and a degree or two on top of that and go to the orient, Eastern Europe, or the Middle East, and viola, somebody's the bomb. Given that the respect for teachers is pretty automatically given in most of these countries, it is a pretty heady experience to be called, "Sir," to have others insist that you walk through the door first, to be the top of the food chain without even having first had to earn it.

Did I enter this field to get in on this bonanza of goodies? I don't think so. My story of getting into the field is based more, at least in my subjective opinion, in pragmatics and the desire for adventure. Back in 1993, when my older boy, Teo, was some months old, his mother Trina, and I, decided to move from the Maple Leaf neighborhood in north Seattle, around 80th Ave N., to Ellensburg because we wanted our son to be able to be near his family, his grandparents, specifically. My heart and mind have always centered on the farm where I was reared, my father and step- mothers' property on the west side of the Kittitas Valley; it has been and still is the nexus at the center of my physical, emotional, mental, spiritual universe.  I didn't get to know either of my grandfathers, never had that relationship, and I always wanted it. For my children it was a gift that I wanted them to be able to have. So Trina, Teo, and I moved to the farm, MLP Shamba is its name, the initials being those of my older brothers and myself, and shamba being the Swahili word for farm. 

After a year or so, we three moved into a house in town. It was expensive, nine hundred dollars a month, if I remember correctly, even in 1993. After a time Trina and I decided that if we moved into student housing up at Brooklane Village, with rent in the three hundred dollar a month range, the money saved would pay for one of us to get a Master's Degree, which is gold for a certified teacher, moving one way up the pay scale; both of is were certified teachers. Trina wanted to stay with Teo and Trina was also pregnant now with our second child, Paolo by this time. I had no real strong desire for any particular field, finding most academic fields of high interest, so we thought that if we wanted to rear our kids for part of their lives in a first world, foreign country like say Western Europe, that a MA in ESL would set up a fairly easy work permit situation. Since I have always liked words and since my BA is in language/literature/writing, it was decided.

One thing that has struck me the older I get is the great degree to which people place limitations on their lives. I feel like more and more I notice that people have these refrains that issue forth from them that often begin with phrases like, "I can't," or "I never," or "I hate," or "I don't." Like if you suggest a place to eat, a place to go, a new hobby, some novel experience and the reply is, "I don't like this or that kind of thing," or, "I can't do that kind of thing," "I hate people who...." It becomes more apparent to me that under the guise of finding out what they like, so many people rule out new experiences, new people, the landscapes of new lands, both metaphoric and literal. "I don't eat. Mexican food," "you know I can't stand yuppies," "I won't travel anywhere where they don't speak English." 

Isn't it somewhat like spending your life carefully researching and constructing a perfect, finely crafted cage and then stepping inside of it? Is it to make for oneself a sense of security? To extend the metaphor, each new limiting statement or resolve, "I can't stand liberals," or, "I refuse to go into that kind of place," just welds one more bar onto that cage. My father, a cultural anthropologist, has long drummed into his children the twin gyroscopic principles of predictability and variability. Organisms strive to increase the former while lowering the latter. Just so a dog crawls under the table in the corner to keep its variability low and its predictability high. Let us extrapolate out from that point and see that in the distance lies a very secure and very static, very unchanging, stable, stagnant, half dead future. And all the while, time, that amazing teacher that kills all of its pupils, is marching on, clipping off the branches of the option tree at a quicker and quicker rate until all that remains as a viable option is the view from under that table in the corner where the predictability keeps stacking up and the opportunities for living, for change, for novelty continue to dwindle.

The human immune system grows weaker from stagnation. Stress, anxiety, fear of change all degrade the bodies ability to stay healthy. This is not, by the way, just my opinion, it is science.  Think about it. Think of the people you know, do a quick survey. Do a fast correlation. Which group of your family and friends have more stress related issues, the ones who get out, travel, make new friends, laugh a lot, take chances, or the ones who stay home and live fearful, routinized, staid lives? The strength of the immune system is largely dependent on how in control we feel. Ironically, people who stay under the table do so precisely because they have great anxieties and fears about change, about not being in control. But life is all about change. That is just how the game is designed. Entropy. The tendency of things towards disorder. Stuff happens, right? So the expectation and embracing of change just cuts the whole thing off at the knees, freeing one to feel in control of their ability to respond positively to change. Luck is when preparation encounters opportunity. Change is opportunity. Jump on it. Go with it. One can not swim upstream, but one can direct which way downstream they are going. 

There is one more quote from Erich Fromm that is pertinent to this issue, "The quest for certainty blocks the search for meaning. Uncertainty is the very condition to impel man to unfold his powers." All one really needs to do is to breathe. That's it. All the rest is really just trappings. Don't get me wrong, I am very, very attached to much of these trappings. I am very attached to my family and my friends, especially to my two sons. I am very attached to my best friend, my dog, Walter. I am more or less addicted to novelty, to new experiences. But when the stress is high, the anxiety synapses are firing uncontrollably I slow down, sit down and I breathe. I do not alter my strategy of embracing change. Like a blossom opening, manifesting, I observe it, smell it, marvel. Not to suggest that sometimes I am not overwhelmed, that I don't at time simply freak out. Certainly I do, and in certain periods of my life, quite a lot of the last ten years, for example, I have spent so much time in a state of palpable despair that it just plum wore me out.

I sit here on my back patio right now, listening to an ineffably beautiful instrumental guitar piece done by John Denver on his Rocky Mountain High album called Season Suite: Late Winter, Into Spring. The melody is so exquisite, so delicate, a melody straight from above. What did Michelangelo say, the angel already existed in the marble, he just set it free. Thusly so with this one. It is a piece that has, at times in the past, brought such an emotional tidal surge through me that I have no response that isn't spoken in the language of tears. Today I feel fatigue, but not sadness. The past years have been filled with such unexplainably great lunacy and emotional terror and insecurity, but not today. No, not now. For years there persisted such a constant and bottomless sea of betrayal, deception, pain, that every moment was only perceivable to me as a horrific version on now. Always now and not in the good way of being grounded in the now, but rather in a manner in which I felt utterly trapped and unable to even want to see any other possibility that could exist. I felt so trapped in a now that was a series of unending and totally self inflicted mechanisms of torture. It was me who would not step off of the hamster wheel of self destruction. 

Today I know who I am once again. Today I have a past, a present, and a future. I enjoy being in the present today. Each day begins well  and ends well. My emotional state is not a wildly swinging pendulum. Today each day is a gift, that is what I call a present. The present. This one. This life, here, today. 

My job is great. I adore my students. Even the lazy ones, all of them. My daily goal is to break down the barriers between the me in this body, the one pushing these virtual keys, and the me in the bodies of the thirty five beings that share four hours with me mixing consciousness, eroding the perceived edges of ourselves, swimming in the cloud of energy that we revel in whilst we play the game of I'll be teacher this time and you'll be students. The actors on the stage are all playing their parts and it works, it is good, it feels right. 

I have had my coordinator, the Level Two coordinator, Jacob, a thirty something from Michigan, also one of my office mates, tell me not to worry about my student evaluations because everyone understands that newbies here are naturally not gonna get good evals. I assured him that I am in no way concerned both because I expect to get sterling marks from my students and because evaluations do not mean much to me; I know that I am doing a great job and that is much more important to me than a number, and what am I going to do with "good numbers"? What my students and I share each day is a joy. A symbol on paper, on a computer screen, has about as much meaning to me as a number on my home loan, on a credit card statement. They are numbers, symbols, they are not my life or what transpires between me and all of the other mes running around that I am busily pursuing in order to know and to share time and consciousness with. Show me a person who puts much investment in a number and I'll show you someone who is not happy, someone whose medicine cabinet is rife with gastrointestinal tablets, someone with high blood pressure or colitis or back problems. Numbers and other symbols, money, for example, the ultimate symbolic item in most peoples' lives, are an ultimately silly, hollow, fruitless phenomenon to invest one's limited and passing life energies and joys on. They are static, two dimensional parasites, drains, sinkholes, objects of dark magic like Druidic runes that can be cast, spun,  and read, whose placement on a page are as omens and oracles of doom. As for me, I prefer people and I prefer laughter and I prefer sand in my toes, the lapping of the surf, the gurgle of a stream, a rain storm.

If you think that the things that you see with your eyes and feel with your fingers, the manifestations of "reality" that you allow to dictate your decisions, that keep you awake at night filled with worry, are anything but what we as a being, we human beings, collectively agree are real in this hologram that we maneuver through each day, then you are not keeping up with science. What our eyes perceive are only certain, and truly limited, portions of the spectrum of the electromagnetic patterns that we think of as light. If you understand the science of quantum physics, meaning the science of what is, then you also understand that we play in but one of multitudes, perhaps an infinite number, of parallel dimensions that exist all here and now around and through us. You also understand that our feeble perception of time is also an agreed upon phenomenon, that time is just a way for us to understand more simply what is so that we can operate with some sense of order in this vastly, vastly entropic universe. Time indeed does not flow, does not move forward at all. It is not a flowing river, it is a frozen, unmoving river that we agree to walk forward on. Quantum physicists agree that time is fixed, does not move, does not flow. Indeed what we perceive is not actually what is. Today this is what is known. In my small part of this universe I do my very best to play the game that is most suitable for me, to pass on to when and where it serves me best. To play by the rules of the ones who sit at the top of the economic food chain is to give tacit agreement to follow rules put down to benefit those persons.

In some ways, I suppose, to have chosen to come to the Kingdom here, to join in this absurdist theater at the far end of the world is maybe both joining in and not joining into the great game. A land full of symbols, certainly, but symbols I do not yet understand, and a land full of people, like myself, trying to circumvent many of the rules and yet largely here to "get ahead" in the very same system of rules and symbols. While this is undeniably true, I still focus on the fact that I am in a place that incorporates a great deal of disequilibrium, novelty, and constant challenges born out of the uncertainties of a different culture, a different landscape, a different climate (hit 91 degrees today), and a different job. As Fromm noted at the top, creativity requires the embracing of uncertainty; much art erupts out of periods of creative turbulence, and I know in my life I have learned as I have moved along the frozen river that time is that putting myself in tumult can accelerate and give rise to greater bouts of spontaneous artistic creation. When I speak of art I do not restrict that definitions to writing, painting, etc., but to a broader meaning which encompasses a manner of being, a way of perceiving the parts of God around me, the shaking if leaves in the trees, the grin of a two years old, my interaction with another version of me who is tending the cash register at the coffee stand.  

Wednesday, March 18, 2015

So You say You Wanna See the Sights?

So You Say You Wanna See the Sights

The week before last a friend who I work with named Danny, a Britisher who in fact took me out on my first social outing to a Starbucks about two plus weeks back, invited me to go to a souk, a public market, up in Qatiff, about forty kilometers north of Ad Dammam, the collective name for the urban center that I live in. The evening coffee out, by the way, was an intellectually stimulating, lively event shared over a couple of too late in the evening sixteen ounce drip coffees that kept me turning over our conversation in my head until about two-thirty am, my heart rate galloping along clipetty clop in my veins. He is strong, deep thinker, well versed in literature, philosophy, political science, and he has lived in the Middle East for some decades now. He is a practicing Muslim and will be, in fact, marrying a Saudi pediatric surgeon this summer. 

I met him and another teacher, a guy named Edward who hails from Colorado, at nine-thirty in the morning. Edward is also getting married this summer, to a Thai lady, and he also has taught in many countries and has been in the Middle East for some years. The three off us piled into Danny's Mitsubishi and drove up to Qatiff, discussing Danny's summer plan to bring his two teenaged sons, who live with their mother, to Colorado for a romping adventure. Edward played tour guide, displaying an encyclopedic range of what to do in the Rocky Mountain State.

The landscape north of here is, surprise, quite barren. Lots of concrete buildings in various states of construction, and deconstruction. There seems to be a premium on putting up new structures in this country but a marked lack of any of the budget appears to go into maintenance of any kind. Industry. Warehouses. Energy facilities. Housing complexes. Roads of all shapes and directions. And lots of yellow beige sand.

We pulled into Qatiff, a Sh'ia concentrated area, and parked, walked the block or so to the edge of the souk, which was not contained in one square or bounded area, but rather consisted of a series of stalls or tables or assemblage of goods on the ground or in the shade of buildings spread out in front of or in between existing buildings. The first part we walked through was a small sea of fowl. Lots of doves and pigeons and quail in half spherical cages set over them like a macabre foretaste of what they may be getting as soon as they are set, cooked, on the table, or on the floor, as the cultural case may be,'s for supper. Ducks, ducklings, geese, chickens, some birds I could not recognize, like one group which had a fascinatingly large amount of feathers covering their feet. There were birds for sale as pets, you know, parakeets  and mynah birds. And there were birds of prey. 

Nuts for sale, roasting or in large wicker baskets near scales. Fruits and vegetables. Rice, lentils, balls of tamarind, spices, teas, even large, rumpled, dried leaves of tobacco. The smells were clear and pungent, the colors a full array of the spectrum. Bits of oil soaked wood in braziers for incense. Tools. Plastic knick knacks for the kids. Sweets. Breads. Baskets. Scarves. Mirrors. One area had racks and racks and more racks of clothes and shoes. Belts. Antiques. Light bulbs. And there were, unexpectedly, beggars. Women in full cover. Begging.

One learns to see women here before one actually sees them, and to look the other way. As it is a culture that protects women both from being seen and from seeing others, there is a learned behavior to practice body language that says, "I am very much not looking in the direction of any woman of any age, regardless of if she walks with, meaning very often slightly behind, a man, or with another woman or two, or alone." 

As we perused the tables of pirated movies, my peripheral vision spotted a cloaked, black figure, which is common, especially in the relative close quarters of a public market. As she got closer and closer I felt anxiety begin to bubble up inside. "Danger, Will Robinson. Danger." The equivalence of a cultural IED about to explode. I sort of stepped back and pivoted away from the table to see her full on in my visual field, very close to me, almost touching me, holding a piece of fabric forming a small bowl in front of her, a lone paper bill, a riyal, in the shallow depression, and her voice, emanating like the Wizard of Oz from behind his curtain, a plea. I made no eye contact, but the unfolding of the understanding of what was occurring came rather slowly, and yet it was but a moment before my hand fumbled in my right front pocket where I had put my money. I knew that if I pulled it all out to rifle through it for one of the single riyal notes at the center of the roll of bills that I would feel like a complete asshole, flipping over one hundred and fifty riyal notes to get to the one riyal note, the value of a quarter in the States, in the center. So I pulled just tiny corners of the bills out, looking at them, trying to get that small note. After a moment or two I was successful. I put it in her pouch and she thanked me while I stood there very much feeling unworthy of her thanks. 

With a pronounced awkwardness I tried to return to my browsing, but she did not go away. Working at not looking at her as she said something else to me in her muted Arabic, my thoughts rotated around the idea that she was wanting more. She didn't stop, reaching out a bit towards my arm, pointing at the ground. What now, I thought, hadn't I done what neither of my companions had? Hadn't I already given at the office? Again a phrase, a point, so I looked down at my feet and there was a fifty riyal note. My fifty riyal note. On the ground. I had dropped it. Again my mine went through the steps to make a pattern out of the available data. Oh. Oh gosh, I dropped it. I dropped it and she is letting me know so that I can pick it up. She is not trying to steal it, to cleverly, as I am used to in my culture, put her foot over it in order to get money to feed her children, to pay her rent. She is helping me. SHE is helping ME.

As women haven't much of any rights in this culture, if their husbands die or divorce them, they have no chance for an income. Devoid of the opportunity for employment, women are often, without help from family, forced into begging to receive any income at all. Yet this woman helped me to recover my fifty riyal note, a note that probably equaled what she made in one or two entire days of begging, maybe in a week, I have no idea. Awkward I was, a creature mute and dumb, as I reached down and grabbed my money. Do I give it to her now? After all, she could have kept the whole thing. Shouldn't I just give it to her? Would that draw unwanted attention to anyone watching? I put the bill in my pocket, looked away in shame, pretended to read the titles on the flat, gaudily colored squares before me, unable to calm my mind for some moments, my sensory organs monitoring her presence as she stalled, waited momentarily, left.

This one stall, a series of tables, actually, that we spent the most time at, was the pirated DVD place. I picked up a few for about $2.50 USD each, cheaper, Eric said, than one can get them for in Thailand. I got a new Jeremy Renner vehicle, Kill the Messenger, about the guy who first broke the CIA cocaine running for funding the Contras story. Another called Fort Bliss, with Michelle Monaghan about a medic from the Afghanistan War having issues upon her return to the states. And a season of the Game of Thrones. That was, at the end of the day, the total of my purchases. Some cultural explorer I am, yeah? And a heel to boot.

The next weekend after the Qatiff trip, this weekend, sort of disappeared as it is finals week now for the third module and the powers that be scheduled the first half of the final exam, the listening and writing portions, for today, Saturday. At eight in the morning. This by itself would not be a terrible thing, nor indeed, in the end has it been. But last night I went with my friend Ned, to the biggest of the spectacles that exist in the modern urban centers of the Gulf states, the Mall. Not as big or otherworldly as their sister complexes in Abu Dhabi or Dubai, the Rashid Mall is still far and away different than anything I have ever seen or, frankly, imagined. The word that comes to mind is Wonkaesque, as in Willy Wonkaesque. While I did not spot any Oompa Loompas during our four hours wandering the dizzying, absolutely labyrinthine, kaleidoscopic hallways and levels of the many huge buildings that compose the Rashid mall complex, I've no doubt that they are there.

It all started with a rather simple sounding suggestion. In need of purchasing a phone that works in the Kingdom, and lamenting to Ned some days back about said issue, he offered to go with me on one of the weekend nights to the big mall to grab a phone, soak up some of the dazzle of the place, almost more of an event than a place, and get a bite to eat as well. As little as I have been out of the university/town/compound that we inhabit, needing to solve my phone issue, and always focused on food, what was I gonna say? Hells yes, as my boy says.

I had bought a SIM card for my crappy pay as you go phone from the US, the one my iPhone toting progeny call simply "the crack dealer phone." But it would not work. The twenty something year old man working at the STC (a cell phone carrier company in KSA) store seemed to know less about the process than I, and I could not have believed that anyone under thirty could possibly know less about the machinations of cell phones than I do, nor could he speak English to any acceptable degree. His response to my SIM card refusing to unlock was, and I am guessing here from the hand gestures and muffled grunting sounds he made, to wait longer for it to, I don't really know, become comfortable in its small, flat slot underneath the battery?

Around here everything you sign up for, every form you fill out, from blood and urine samples at the Medical center, to Housing forms, to requests for transportation reimbursements, to iqama registrations, require a phone number. As in your form will not be accepted until you put in the ten digit number that begins, around here, with "05." Up to now I have the number of Denis Kearney in lieu of any of my own in about three dozen forms spread out throughout the KFUPM universe. An example of the need for having my own phone is that I can not access my online bank account without having a confirmation code sent to me EVERY TIME I want to get into it to pay a bill or check my balance. So by now, five weeks into my overseas adventure, my I-am-here-to-pay-off-my-bills adventure, I still can not get to my money to pay a bill. And in KSA every time you add more minutes to your phone, which you can do at most any store by buying them at the check out, you need to punch in your ID number, which for me is my iqama number, my residence permit. Apparently the issue we have in the states of having all of our communications recorded and stored has been going on here for more than twenty years, set up with the aid of the faithful CIA hounds of the beloved Red, White, and Blue. 

We selected Friday evening, at 7:30, as the time to go. 7:30 is the right time of the evening to go somewhere because there are two evening prayer times, one around 5-5:30 and one around 7-7:15, each lasting about thirty minutes, during which times everything shuts down. It is something like the siesta time in Spain, but five times every day. So Ned arranged for one of the KFUPM taxi drivers, Ashuraff, to get us in his grey, new SUV. The trip is only about ten to fifteen minutes, as the mall itself is perhaps four to five kilometers from here. 

As we neared the mall, the size and grandeur of the edifices which make up the complex became apparent. The traffic congeals, and the two lanes of traffic in each direction slow down, bumper to bumper and, staying at ground level, pass underneath a part of one of the buildings as though beneath a part of a huge convention center. The sparkle and flash of newly polished, expensive automobiles, neon, bright fixtures, chandeliers hanging, and the throngs of people moving to and fro gave it all the feel of arriving at a Las Vegas casino for valet parking just prior to a world championship boxing main event. It is one of those places where one finds oneself, like say a Disneyland, or Times Square, where you spin your head the whole time as you near, enter, wander, and exit, that you implicitly understand you will not, no matter how much craning of the neck or twirling of the head or eyes that you do, take in all of the visual stimuli in your field of vision. So you just sort of accept it, gawk, marvel, and pass on through.

Now the Saudi people are a proud, handsome, well dressed, and, as a whole, remarkably self assured lot. As I run my eyes over the groups of men, mostly younger men, what are called shababs in Arabic, and the many abaya clad women, as well as children, I see heads held high, an air of confidence, control, the I-have-everything-under-control and all is as it should be aura from the males. At this time, still early in the evening, the women are composed more of the wives and mothers, who walk usually about two paces behind their men. In this culture men do not hold the door for their women, they open them and walk through, allowing the door to do as it will as they move ahead deciding where their whims take them. I am reminded of a story told to me by a friend who is ex-military and was employed once as security to accompany a Middle Eastern man and two worker helpers to the hinterlands of Yemen for the purpose of stripping spare parts from the wrecked military vehicles that still litter the deserts there following years of civil unrest. His employer, not wanting his nationality to be known as they drove into the country from Oman, put a traditional Saudi headdress on him, told him not to say anything at all and, to complete the lie that he was a Saudi, instructed him to "look arrogant." It worked.

Ned and I waited outside of an electronics store for the ten minutes or so that it took for prayer time to finish up and then we headed inside. I found a fairly cheap smart phone quickly and began the purchasing process. My first smart phone. Ever. Welcome to the new century, right? The gentleman, who thankfully spoke moderately good, okay, not really, but passably good anyway, English, put the new SIM card from my crack dealer phone into the new shiny toy, gave me the same caveat, it will take an hour for the card to do whatever it is that it needs to do, let's say shower and shave, before I'm going to be able to install the seventy riyals worth of minutes that I bought from the previously mentioned phone fellow. Good enough. Phone secured we set off to see the sights.

My friend had told me that inside the mall it felt like being in a Vegas casino as there are no windows and the exits are hard to find, all roads leading one back to the money spending opportunities. I think that Nick hit it right on the head. My first glance in was up through a vertical slice of space between various levels and slanted escalators to see three levels of shopping Valhalla above and one or more below. Myriad abaya cloaked women and thobe wearing men passing at forty five degree angles up and down, the women all in black, the men all in white against the many colored brightly lit signs of Tag Huesen, Cartier, Versace. We moved in and began to look for a place to get a bite to eat. Having come here some weeks earlier, Ned said he remembered a good looking Chinese restaurant on one of the upper floors. As one ambulates up, down, and around this place it dawns that this entire, huge, multi-storied building with various wings, atriums, small amusement parks for kids, food courts, is but one of many different buildings. When we approached the site, Ned asked Ashuraff to take us to Gate Five, one of the many Casino-looking entrances to the many buildings. 

There exist a plethora of western chain brands in the Rashid Mall. Starbucks. Baskin Robbins. Victoria's Secrets. Jockey. Burger King. Fuddruckers. There are stores and kiosks as far, literally, as the eye can see, the layout bending around corners, large open spaces cut into the different levels to provide viewing down the many stories. The restaurants all have the obligatory single men's seating and the family sections. We walked for about forty minutes looking for this Chinese restaurant, at one point ending up in the exact place where we entered, confused as to how we had arrived there, apparently having crossed over the street that we drove in on and reorienting ourselves improperly, thinking then that forward would take us to a new part of the mall where this Shangri La of an eatery may be. Eventually, however, we found it. 

The place was gorgeous. A high end dining establishment indeed. It was not crowded at all, which, after we looked at the prices, began to make sense. As we were seated in a fine, dimly lit booth near two very large, long aquariums with large fish swimming to and fro under lights which lit up the aqua blue water and the pinkish white, shimmery fish, and hungry as we were, we decided that we'd buck up the riyals and give it a try. The menu was sumptuous and included many, many various dishes, each with a photo. Duck. Lamb. Crab. Camel. Yes, camel. Curry masalas, skewers, pan fried dumplings, exquisite soups, various forms and types of spring rolls. 

We ordered some fresh squeezed juices and a large bottle of water and settle in to make some decisions about our meals. We settled, after a long while, on a camel and a duck dish. Unfortunately the camel was "unavailable." We went with duck and lamb and steamed rice. For an appetizer the Filipino waiter brought us a small bowl of what must be rice based chips that had a texture like fried pork rinds, and a small bowl of vegetables, like a small, lightly dressed salad, a small bowl of a sweetish, red sauce, and a small bowl of a red chili sauce with a teeny spoon in it. The waiter was very professional, distant in emotion, but he stood always off to the side of the room watching to see if we needed anything and would come over when appropriate. In this culture the servant class is not treated well and are in no way used to friendliness on the part of the patrons. Ned asked him as he was opening the bottle of water and filling our glasses how his night was going. I watched his face and he was visibly uncomfortable and his eyes winced and his mouth made a sort of I-just-bit-into-a-lemon expression. He muttered a "what?" Ned repeated himself and, still filling water, and in the fewest possible syllables, he answered something not really intelligible but in the area of a "just fine, sir." It was strange.

Ned used to work on the Red Sea coast at an English language institute. He told me that one of his fellow teachers there set up a monitoring program for the instructors to take shifts in the student cafeteria to reprimand and correct the poor behavior of the Saudis towards the migrant workers who served the food and cleaned the place. Keep in mind that slavery was outlawed in this realm only in 1962 and then only because President Kennedy pressured then King Faisel to do so. The new decree of the King, as there are literally no laws in this country, no legislative body or constitution, only changed things for the millions of imported workers about as much as he outlawing of slavery in the US at the end of the Civil War improved conditions for the millions of blacks living in the US South.

That being said, I can tell you this much about the workers in the kitchen at this place-they can cook some SERIOUS food. I am a food-a-phile and I have never, ever had Chinese food that matched this meal. Ever. The duck was tender like butter. Cut into small slices and in an aromatic, delicate sauce with small amounts of green onions, it about melted on the tongue. And the lamb came tepanyaki style, sizzling on a hot, fish shaped, cast iron plate like fajitas in a Mexican restaurant. Man oh man was it good. Indescribably so. The kind of good where you look at the other person or persons seated and sort of shake your head and widen your eyes, making semi-obscene sounds deep inside. 

We are slowly, savoring each bite, talking about women, relationships, travel plans, for two hours. A couple more of the booths filled up during this time, as we were the only diners there upon arrival. We traded stories, self disclosed, related, became better friends. Ned is a good man. He is handsome, in good shape, a runner, has been teaching overseas for years, has a good laugh, has an energy about him that reminds me of a much younger person, maybe an adolescent. Not that he acts immature, because he does not. I can't quite pin it down. It's like a softness of spirit, not an immaturity of self or of character. His smile is, at times, a smirk, but it is a smirk of a satisfied teen, not a smugness born from the possession of a hidden agenda. Ned travels quite a lot. He brings up the fact fairly often that he has a strong like of women. This is how he phrases it, "I think I already told you that I have a weakness for women." A weakness, he calls it, and then the smirk elevates to a beaming grin, but in a bit of an understated, Ned kind of way. A smile as much through the eyes as through the mouth and jaw. I think we sort of bond on this one, the woman thing. 

Ned is kind. He offered me on about three or four occasions to loan me a considerable amount of money to help me out until my first paycheck arrived. I did not take him up in his offer, but I did point out how exceptional I thought it was that he continued to offer me this. We had not known each other much the first time he did so. How often, I remarked, does that happen? It really pretty much doesn't. In fact only one other friend in recent years has made an offer like this, and he is a good friend who lives in Ellensburg, my homey town. You know who you are, Derek. Thank you. Especially, I have thought, this wouldn't happen in this bunch of fairly keep-your-cards-close-to-your-vest, lone wolf types that come to work this post here at the far end of the earth, this mining outpost somewhere off in the rings of Saturn.

We eventually finished our meal, and the bill was SR 240, which, with a twenty percent tip came out to about seventy five USD. That may not seem like a lot back stateside, but here that is what it cost five of us to go out for a big, appetizer laden meal of grilled meats and fresh juices a week earlier. It was a fine meal and the company was superlative. The opportunity to eat at a Chinese restaurant that had not a single entrée on the menu that I really have come to dislike in American places of similar orientation, you know, lemon chicken, General Tso's chicken, Mongolian beef, fried rice, was so worthwhile. And I can not remember the last time I have had food that I found that amazing. It was a very unforgettable dining experience.

We paid and left, finding our way back to our starting point with far less confusion than we feared. The noticeable thing about our time spent in the Mall after we ate, it now being after eleven pm, was the change in both the number and type of people in the Mall and the energy surging through the place. It was Shabab city. It was like cruising the strip. Like American Graffiti, Ned pointed out. It was full of young men and young women. The latter decked out. Yes, still in abayas, but wearing heavy, teenage eye make up, stiletto heels, bejeweled, designer purses. It was like cruising the ave, and the noise was raucous and it was loud. Suddenly I felt quite out of place. It had changed from the family hour to the pick up, flirt, get the girl's number hour. Apparently the advent of the cellphone has afforded the opposite sexes broader opportunities to flirt electronically. One group of three young fellows, maybe eighteen to twenty years of age, blurted out loud, insulting sounding staccato bursts of Arabic at us as they passed in the opposite direction, swiveling their heads and laughing loudly, one of them putting his two hands to his cheeks and sort of grabbing them and twisting them in small circles, barking out Arabic with a feral glee. "I wish I spoke Arabic," came out of my mouth. What are you gonna do. In this country we, as Americans sit on the top of the foreign worker food chain, but we remain one big rung of the ladder below the locals. Aside from the fact that many, many are related to the Royal family, there being over thirty thousand  members of the al Sa'ud's in this country, any car accident or altercation between Saudis and anyone else results in the police siding with the natives. There exists here a caste system, make no mistake about that or about which caste you belong to.

We made it to the door we came in, Gate 5. Ned called Ashuraff and got no response. It took us maybe ten plus minutes to find a taxi in the river of cars passing bumper to bumper both ways in two lanes before us, packed like the departure lanes of a modern airport during the holiday season. Busier than when we arrived, it was like moving through the sea of people exiting a concert or a professional sporting event. Packed. We got a taxi and the man drove us home. I said goodnight to Ned, happy for a night away from work, from my flat. Happy to have gotten a phone. Happy to have enjoyed fine company, to have had a chance to bond with a friend, a good man, to sup on a truly magnificent variety of finely prepared, quality dishes. 

Got out my keys, let myself in. Kicked off my shoes by the door. Walked to my desk, emptying my pockets. Checked my phone to be sure that it worked. Error message-SIM card locked. Damn. Welcome to the Kingdom.